Without you , I am not , am I?
March 2, 2010 on 12:35 pm | In Generic | No CommentsSupriyo Samajdar
Prologue
Let us start with me, my relationship with theatre, in general and with open theatre, in particular.
I might be digressing from the central issue when I discuss these additional and presumably “irrelevant” personal stories. I could have constructed this explanation like a theoretical manifesto or just made a compilation of various people’s experience of undergoing this process. But that doesn’t adequately answer the question of how and where, who first laid down the initial few precepts of open theatre. Under what socio-political and economic conditions did they say these things, what were their relations to their immediate environment while thinking about open theatre? I tried to structure this article to the best of my abilities, but eventually, I realized that open theatre can’t be defined under certain compartmentalized topics; rather I will try to reproduce the stream of consciousness that gave birth to them. In recounting my thoughts, I will talk about my group Bibhaban[1] but let me question why I ventured into theatre, in the first place.
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NABC 2010: Kaivalya Kumar Gurav, the Pride of Kirana Gharana
February 9, 2010 on 6:09 pm | In Generic | No Comments
Kirana Gharana holds a very special place amongst the traditional styles of North Indian Classical vocal music. Widely recognized to be founded by Ustad Abdul Karim Khan (although opinions differ amongst the musicologists) from the village of Kirana (or Kairana) near Muzaffarnagar in Uttar Pradesh, Kirana gharana has given us several excellent performers of the Khayal style of singing including masters like Pandit Bhimshen Joshi, Pandit Rasiklal Andheria, Ustad Amir Khan, Ustad Mashkoor Ali Khan and many others. In July 2010 at the North America Bengali Conference (NABC 2010), Kallol of New Jersey will be presenting yet another exponent of the Kirana Gharana, Pandit Kaivalya Kumar Gurav. Continue reading NABC 2010: Kaivalya Kumar Gurav, the Pride of Kirana Gharana…
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Google Bengali Transliteration
February 4, 2010 on 12:16 am | In Generic | 2 CommentsWant to write in Bengali? Google now offers transliteration service from several Indian languages including Bengali. Visit http://google.com/transliterate and set up the language to Bengali using the drop down menu on the upper left corner. Then start typing in Bangla using your roman keyboard. For example, type in “manush” and hit space button and the transliteration software will convert it to its corresponding Bangla in a unicode compliant font. To switch from Bangle to English (or vice versa), just press Ctrl+G (in Windows) or Cmd+G (in Mac OS). If the transliteration engine does not generate the word you want, just press the “back” or “delete” button, and it will provide you with multiple choices. The tool also offers you a dictionary that can provide you Bangla word equivalents for most English words. You can select the correct word and insert in the document.
However, this system is still in its infancy and has several limitations. For example, you cannot save the documents you create using this system. Currently Google transliteration is offered only in Gmail, Blogger, Knol and Bookmarklet. Even Google docs is not supported, let alone Microsoft Word or any other word processor. Choice of fonts is also limited. I hope Google is working on these issues and make transliteration a truly useful system. Till then we’ll have to work within these limitations.
Thanks Google!
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Looking for Actors
February 3, 2010 on 5:12 pm | In Generic | No CommentsOnce again we are looking for Bengali speaking male actors for ECTA’s upcoming new play to be staged in June and July of 2010. The character is that of a middle aged man. Previous acting experience is desirable but not a must. Must be willing to commit to ECTA’s rehearsal schedule. Rehearsals will be held in central New Jersey. Interested people must contact me at the earliest. To know more about ECTA and its productions, please visit http://ectainc.org.
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The Complete Works of Tagore Now Online
January 27, 2010 on 5:00 pm | In Generic | 1 Comment
Ask a Bengali what in his/her bookcase does he/she treasure most? And the answer will be - the sixteen volume set of Rabindra Rachanabali, that is, the complete works of Rabindranath Tagore. Over the years, the works of Tagore has been one of the key source of revenue for Bishwabharati. However, after the expiry of the extended copyright, publishers were free to reprint Tagore without having to pay any royalty to Bishwabharati. The Society for Natural Language Technology Research (SNLTR) grabbed this opportunity and made the entire published works of Tagore (Rabindra Rachanabali) available online through their website http://rabindra-rachanabali.nltr.org. No longer do you have to carry along with you the heavy volumes, neither do you have to spend money to buy them. Online Rabindra-Rachanabali is free. The website was released to the public on 27th January 2010, at the Kolkata Bookfair. Continue reading The Complete Works of Tagore Now Online…
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NABC 2010: Abdul Bari Siddiqui - The Flutist Baul
January 21, 2010 on 12:44 am | In Generic | No Comments
One of the guest performers at the upcoming NABC 2010 is Abdul Bari Siddiqui of Dhaka, Bangladesh. Although Bari is a relatively new name to the Bengali music lovers in this part of the world, he is a well known and sought after musician and composer in Bangladesh. Trained as a classical flutist, Bari finds his passion both in the classical ragas as well as the folk tunes and Baul music of Bengal and has created his own genre of folk fusion by fusing North Indian Classical Music with Baul music. Bari (born 15th November 1954) started his initial lessons in classical vocal music at the age of twelve under Gopal Dutta of Netrokona. Later, in 1981, he was taken under the wings of Ustad Aminur Rahman, a direct disciple of Pandit Panna Lal Ghosh, the famous flutist, and Beenkar Ustad Dabir Khan. Ustad Aminur Rahman spotted Bari during a concert, and offered to tutor him. For the next six years Bari trained under Rahman. Bari also received extensive training from Pandit V G Karnad in Pune. Since 2000, besides playing the flute, Bari started to perform vocal music and his first album “Srabon Megher Din” was an instant hit and won him several awards.
Continue reading NABC 2010: Abdul Bari Siddiqui - The Flutist Baul…
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Kolkata Theater : A Personal Snapshot
January 14, 2010 on 1:03 am | In Generic | 1 CommentAfter a gap of two years I was back again in Kolkata this winter and whenever I had some spare time, I utilized it watching a theater. Although most people in Kolkata were flocking the multiplexes for “3 Idiots” or “Avatar”, I thought it would be prudent to capture as many Bengali plays as possible since I won’t be able to see them back in New Jersey. The day I landed in Kolkata also happened to be the opening ceremony of Nandikar’s National Theater Festival, and Satya-da (Satya Bhaduri, editor of the theater magazine SAS) invited me to attend the show with him. That evening, the festival opened with Bangladesh Dhaka Drama’s staging of Selim-al-Din’s “Dhabaman”. “Dhabaman” is an allegorical folk tale of a young buffalo who wanted to be free. The play was presented in a traditional folk form with elaborate choreography and physical acting. This kind of play does not depend on traditional dialogues but on descriptive narratives which works almost like a commentary of the happenings on stage. It was a pleasant experience overall, especially when you get to watch a play in a form that is rarely used in Bengali theater these days. Continue reading Kolkata Theater : A Personal Snapshot…
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NABC 2010: Sahaj-Ma and Utpal Faqir
December 10, 2009 on 12:45 am | In Cartoons, Generic | No Comments
Few months ago, I wrote my wish list about the kind of performers I’d like to see at the 2010 NABC in Atlantic City, and the one artist I mentioned specifically was Sahaj-Ma. When NABC 2010 committee announced the name of their foreign performers, I was delighted to see Sahaj-Ma and Utpal-Faqir’s name on the list. I am not sure whether the committee members actually read my post and felt inspired to invite the duo, or whether it was a sheer co-incidence - I am glad and thankful to the decision makers for giving us a chance to watch these amazing performers on stage.
I heard Sahaj-Ma first on ETV-Bangla on a show called “Baranday Roddur” conducted by the famous Bangla Band Bhoomi. It was kind of a mix of a musical and talk show, and Sahaj-Ma mostly talked about her musical journey. She mentioned about her early training in classical music from her mother and then from Pundit M.R. Gautam and Srimati Sunanda Pattanaik. And when she performed, it was mesmerizing. She has a unique style and tonal quality that is very rare in a female Bengali singer. The next time I listened to her music was in another ETV-Bangla show, “Dada Didir Ganer Lorai”. In this show, whenever she went up to perform, it was almost magical. Although she mostly performs Baul and folk songs, but in this show she proved that she has mastery over all forms of Indian music. Continue reading NABC 2010: Sahaj-Ma and Utpal Faqir…
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Countdown to NABC 2010
December 2, 2009 on 10:51 pm | In Generic | 4 Comments
The count down to NABC 2010 has started. In little more than seven months from now, Bengalis from all over USA and abroad will converge upon Atlantic City in New Jersey. Kallol of New Jersey, the host organization of NABC 2010, is working at a hectic pace to make it a great event. Most of the performers have been lined up, registrations pouring in and the committee members are busy working on the final details like scheduling and fund raising. On January 8th, 2010, a kickoff meeting/press-conference will be held in Kolkata in the presence of most of the artists and performers.
Lets take a look at some of the foreign performers who will grace the Atlantic City convention center stage. I’ll not be able to cover all of them in this article and plan to continue in future posts. At the 2010 NABC Kallol will be presenting some performers who are relatively unknown to the Bengali crowd in USA. One such group is Sapphire Creations Dance Workshop who will be performing at the opening ceremony. Sapphire Creations is a premier experimental dance company based in Kolkata and the only one of its kind in Eastern India performing regularly and popularly in festivals and arts events in India and abroad. Their objective is to integrate in its dance an awareness of tradition, a dimension of experimentation, an urge to entertain and a purpose to provoke consciousness to inspire us to reach brighter horizons. Continue reading Countdown to NABC 2010…
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The Green State Dinner
November 25, 2009 on 3:30 pm | In Generic | No Comments
On November 24th, 2009, President Barack Obama hosted the first state dinner, since his inauguration, in honor of Dr. Manmohan Singh, the honorable Prime Minister of India and his wife Mrs. Gursharan Kaur. State dinners honoring foreign head of states are huge events and are attended by members of the top echelon of the society. The official White House fact sheet says:
The first State Dinner for a foreign head of state was held by President and Mrs. Ulysses S. Grant on December 12, 1874 for King David Kalakaua of Hawaii.
Since that first dinner, many traditions have been added to State and Official Visits – yet the common theme of forging friendships, exchanging knowledge and building bridges that last for years to come remain unchanged.
As the world’s two largest democracies, India and the United States share common ideals and strengths, and the United States and India are working together to address a number of global challenges of the 21st Century—from security to the economy to climate change to the health and education of our people. Continue reading The Green State Dinner…
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