The reality TV show “American Idol” has triggered a new trend – Idol search! TV channels all over the world are searching for idols – or talents. This search is not only limited to the television screen, but it has also proliferated onto the stage in various forms. Although the primary objective of this kind of shows is to screen for talent, in reality (excuse the pun) it is nothing but an entertainment show. The excitement, the drama, and the occasional emotional outbursts, are all part of the show. Undoubtedly, such shows do bring many talented men, women and children to the limelight, but is this the right way to do explore talent? In many cases, the exploration turns to exploitation – especially for the young participants. They have to go through a grueling screening process, sustain a tremendous pressure to perform, and then handle a barrage of criticism from the celebrity judges. I know in one dance show, a young girl couldn’t take the judges criticism anymore and had a nervous breakdown resulting in a paralytic fit. In several instances the young competitors sacrifice their education to continue the show. But the tragedy is, in most cases the winner is not judged by the celebrity panel whose criticism these young participants have to encounter, but rather by the audience through cell/mobile phone text messages (SMS). And in this process, the wireless carrier mints money. I am sure the show also gets their share of this income too.
After a long preparation phase, the end is now in sight. In two weeks time, ECTA will be launching their latest production, “Banaprastha” or “The Retirement”. ECTA’s play have always generated interest amongst the theater lover audience of this area and “Banaprastha” is no exception. People are eagerly waiting for the new play with lot of expectation. We hope this play will live up to that.
“Banaprastha” will feature some of the regular performers of ECTA along with few new faces. Shamyo Goswami, a newcomer to New Jersey will be appearing for the first time on NJ stage. Although Shamyo’s primary interest is in film direction (he has directed and produced a Banga Tele-serial featuring some of the top actors of Bengali screen), he is also an excellent actor. Subhodev Das, after a long hiatus, will be performing the role of the protagonist character – Dr. Parijat Sen. Another newcomer is Pradeep Ramdas. Although not a native Bengali speaker, his love for Bengali theater is no less than any Bengali. In India, Pradeep was involved with the street theater movement. Pradeep plays the role of Ashok Diwan, a young business man of Kolkata. Kaninika Dutta’s debut in New Jersey theater was with Pratham Alo, where she acted in the key role of Bhumisuta. Kaninika, after a long break, returns to the stage as Sudeshna. Gargi Mukherjee, the well known actress (you cannot miss her in Mira Nair’s film – The Namesake) also returns to an ECTA production after a long time. She performed in ECTA’s first production “Phera” (The Return) in 2004 as a guest artist. In Banaprastha, she performs in the role of Suranjana – a character that will touch the hearts of many. Kaushik Dutta, who won the hearts of many with his role of Nando in “Ron”, will also feature in an important character role.
I had often been requested to write plays for our children. With our kids in mind, few years ago I wrote a play titled BSL or Bangla as a Second Language. BSL is a hilarious short play for children (pre-teens, teens, young adults) of Bengali origin. Neil, Nick, Jay and Seema live in USA. But like all children of Bengali speaking parents, they are being forced to learn Bengali (or Bangla) against their will. Neil, the most innovative and smart kid he is, invents a device that can make one learn Bangla (or any other language) in seconds. Nick agrees to be the first guinea pig for the trials of this machine and the results are – quite unexpected to say the least. Continue reading