Many of us will intuitively link the title of the play to Rabindranath Tagore’s well know poem, “Ek Gnaye” and correctly so. Sambhu Mitra and Tripti Mitra particularly immortalized the poem in their rendition of it in Bidhayak Bhattacharya’s celebrated radio play, “Tahar Naamti Ranjana”. “Ekti Gnaye Thaki”, written and directed by Sudipta Bhawmik, is the story of a sister, Ranjana and her brother, Rajat, reuniting after fourteen years. Rajat immigrates to the US with his family after Ranjana sponsors their green cards. The reunion is marked by its usual excitement followed by nostalgia for their “gnya” they left both behind. Rajat becomes a critical link for Ranjana to relive her past, while Ranjana helps him come to terms with his decision to abandon his familiar world in Gobindapur. Ranjana is also ill and Rajat’s presence offers a long-awaited emollient. As the brother and the sister often slip into the past, the rest of the characters are excited at the prospects of their future in the US, especially Rajat’s son, Rajib.
As I entered the theatre the house was full and audibly expectant; as the play ended crowd was visibly appreciative and a few even ecstatic which was quite an achievement and cause for satisfaction for the group of people who presented Banaprasthaat Edison Valley Playhouse on May 31, 2009. The play was generally well produced. A full house helps to create an environment of connectivity between the performers and audience. Perception of a full house and ambience that it helps create encourage the players to be their best. Selection of this adequately equipped arena, small in size, reflects producers’ sensibility about the importance of interaction between the players and the viewers and economic prudence at the same time.