RAAG-RANG PRESENTS : MUSIC OF INDIA
Cine-music, Ghazals, Bhajans, Taranas, Tillanas, Folk,
Thumris, Dhrupad, Khayal, Kirtans, and more.
Our journey will take us across India‘s landscape, stopping at points of interest from the Himalayan Highlands to the backwaters of Kerala, from the havelis of Rajasthan to the flowing waters of Bengal, as distinguished artists perform
the music of their heritage.
Mohan Deshpande, Mitali Banerjee-Bhawmik, Astha Shukla,
Kamala Ramamurthy, Arun Ramamurthy, Trupti Parikh, Bhupendra Gadhavi
Kedar Naphade, Pratik Devasthale, Amod Dandawate
Introducing young artiste Rahul Palnitkar
Arsha Bodha Center, 84 Cortelyous Lane, Somerset, NJ 08873
(287, Exit 10, Rt. On Cedar Grove, Lt. on Amwell, Rt. On
South Middlebush, 2.5 mi Lt. on Cortelyous, 1mi on left)
Tel: (908) 429-1120, (609) 890-4890, (201) 447-6936, (973) 539-5534
bhawmikm@gmail.com, mayuresh.khare@gmail.com
Donations : Adult: $15 (non-members) / $10 (members)
Under 12 : $7 (non-members)/$5 (members)
Limited seating, RSVP. Convenient parking at the Venue.
The reality TV show “American Idol” has triggered a new trend – Idol search! TV channels all over the world are searching for idols – or talents. This search is not only limited to the television screen, but it has also proliferated onto the stage in various forms. Although the primary objective of this kind of shows is to screen for talent, in reality (excuse the pun) it is nothing but an entertainment show. The excitement, the drama, and the occasional emotional outbursts, are all part of the show. Undoubtedly, such shows do bring many talented men, women and children to the limelight, but is this the right way to do explore talent? In many cases, the exploration turns to exploitation – especially for the young participants. They have to go through a grueling screening process, sustain a tremendous pressure to perform, and then handle a barrage of criticism from the celebrity judges. I know in one dance show, a young girl couldn’t take the judges criticism anymore and had a nervous breakdown resulting in a paralytic fit. In several instances the young competitors sacrifice their education to continue the show. But the tragedy is, in most cases the winner is not judged by the celebrity panel whose criticism these young participants have to encounter, but rather by the audience through cell/mobile phone text messages (SMS). And in this process, the wireless carrier mints money. I am sure the show also gets their share of this income too.

