Remaking Charulata


Charu: UnspokenOnce Satyajit Ray was asked, “Which of your films would you like to remake?” He answered that, if possible, he would have remade all his films except for “Charulata”. It was only “Charulata” that he thought was made “perfectly” and he would like to keep it that way. Well, now an expatriate Bengali film maker, Amitabha Neil Ray, is trying to recreate history. Amitabha is planning on making “Charu: Unspoken”, a modern version of Tagore and Ray’s Charulata set in current day America. To some, it may sound like sacrilege. To remake what most people think as a classic, to try to better one of the best film craftsman of all times, is what only few would like to dare. The stakes are too high, the expectations are sky reaching – almost impossible to meet, and failure seems to be inevitable. But, isn’t that what geniuses strive for? Isn’t the challenge to excel, to better the best, to pursue the dream to the end, what drives artists to create their master pieces? Didn’t Ray himself take the leap to recreate another master creators work and make it even better in many ways? Great works of art always inspires other artists, and that is why Ray’s “Charulata” drives artists like Amitabha Neil Ray to remake his own, “Charu: Unspoken”. Continue reading

Durga Puja 2007


Kallol Durga ProtimaDurga Puja 2007 is behind us now. It is time now for wishing “Subho Bijoya”, “Kolakuli” and of course “Mishti mukh”. Durga Puja in New York, New Jersey have now matured to such an extent that people can say things like – “during our times” or “in those days” – just to signify that times have changed. Yes times have changed indeed, even though the Durga idol has not changed that much over the years. I hear people complaining that the Puja’s here have lost the intimate and homely feeling that it used to offer and have now become the real “Baroari Pujas” where people come to have fun, enjoy the entertainment programs and meet friends with an occasional nod at the idol. Managing crowd is a major problem for the organizers and some are thinking about moving to larger venues. Continue reading

YouTube Video Release of “Phera”

In December 2003, Ethnomedia launched their first theatrical production, “Phera” (The Return), at the Bengali Drama Festival organized by Kallol of New Jersey. The play was an instant hit amongst the expatriate Bengali theater lovers and since then the play was staged at multiple cities across the US east coast and Canada, including the 2004 North America Bengali Conference in Baltimore, Maryland.
The play deals with the eternal struggle which every immigrant in USA has to go through in order to balance between the strong attachment to their home land and the economic and social demands of life. The play has received rave reviews from the audience and the press. Read some of the comments and reviews at our website http://www.ethnomediallc.com/ .
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Ganakrishti: A Beacon for the Group Theater Movement in Kolkata


Jhara Samayer Kavya Ganakrishti, a leading theater group of Kolkata, has just completed twenty-five years of its journey that began in 1981 by a handful of theater enthusiasts. Over these years the group has grown both in size and stature to one of those very few organizations that can help guide the group theater movement in Kolkata through the troubled socio-economic waters. It was one of those groups who did not feel that producing plays is the only activity they should concentrate on. Continue reading

“Chak De” and Koni


After a long time, the Indian Cricket team has done something wonderful. They brought home the ICC 20/20 World Cup. Kudos to Dhoni and his team. Many people (including former Pakistan captain Rashid Latif) have attributed this success to the recent film, “Chak De India“. I have not seen the film yet, but the media has made me aware of the story line. Shah-Rukh Khan plays the coach of the Indian womens hockey team and leads them to World Cup victory. It is a story of courage, perseverance and overall team spirit. Continue reading

Sanford Meisner: The Guru of Acting

What do Robert Duvall, John Voight, Sydney Pollack, Tony Randall, Gregory Peck, Jeff Goldblum, James Caan, and Tom Cruise have in common? They all trained under the master acting coach Sanford Meisner. Famous playwrights like Arthur Miller and David Mamet were also his students. His teaching technique, known as the Meisner Technique, is regarded as one of the most effective tool to master the art of acting. The goal of the Meisner technique has often been described as getting actors to “live truthfully under imaginary circumstances.” The technique emphasizes carrying out an action truthfully on stage and letting emotion and subtext build based on the truth of the action and on the other characters around them, rather than simply playing an action or emotion.
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Krittibas: A Poetry Magazine That Created History


A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. Continue reading

“The Namesake”: A Personal Experience

Sudipta Bhawmik
[Previously published in Anandasangbad]

On the setOn 7th of March 2007, I had the opportunity of watching Mira Nair’s latest film, The Namesake”. The film had officially premiered the earlier evening which unfortunately, I was not able to attend. However, the producers of the film were kind enough to arrange couple of seats for me for the special screening for the Museum of Moving Images which included a Q&A session with the director Mira Nair (and surprise guests Tabu and Irfan Khan).
Being a participant in the filming process (in a very limited way in the role of Subroto Mesho), I was especially curious to see the final result – the big picture as you may call it. At the end of the screening when Mira asked me how I liked the film, I was sort of speechless. I did answer something like “great” or “wonderful”, but that was only a gut reaction – I was still trying to figure out my feelings towards the film. I was not able to give Mira the right answer. I figured, maybe, if I try to jot down my thoughts, I’ll be able to come up with a better answer. Continue reading

Satyameva: A New Play to Premiere in Kolkata

“Satyameva Jayate” – a phrase from the Mundaka Upanishad is the national motto of India and all Indians. Literally it means, “truth alone prevails” – implying that truth is all that we should strive for, since truth only can lead us to success and happiness. But this hypothesis has been proven wrong time and again. Through bitter life experiences we all discover that “truth” hardly leads us anywhere – it is the “untruth”, the “false” and “deceit” that we need to master in order to attain our goals and objectives. Or is it that our goals and objectives need to be re-examined? Are we chasing the right goals? Goals for which we do not have to rely on the “false” – goals that can truly be achieved by truth alone?

“Satyameva”, a play written by Sudipta Bhawmik, tries to explore this age old question in a setting in North America where the immigrant Indian population tries to deal with this issue in their everyday lives.

Sanjoy, a young software professional, has arrived in the “land of opportunity” for just over six months and works for a software body shopping company “InterSoft” owned and operated by Bill (a Bengali American living in the States for over thirty years.) On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy, however, is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant. He cannot subject himself to such a grave risk. And to justify himself, and to win his ultimate motive, he has to make a choice between truth or deceit.

Cast:
Bill : Sankar Ghoshal
Sanjoy : Indranil Mukherjee

Written and Directed by Sudipta Bhawmik
Produced by Ethnomedia Center for Theater Arts (ECTA)
Presented by Ganakrishti, Kolkata

6.00pm August 20, 21, 22, 23 2007
Sujata Sadan, 7, Hazra Road, Kolkata – 700 026.

Phone- 2476-6131

Please inform your friends and family in India to come and watch this play that tells our story.

Satyameva Scene