by Amitava Sen
“Desh is doing wonderful and so much for the better”, declares my friend after his recent trip to Calcutta. I suppose Desh means Calcutta. “People are so prosperous, everything is available at the wonderful shopping complexes; diaper, canned ham” he continues “you name it, they have it”. My friend is all dazed up by the malls and the wonderful shops there. Like Sukumar Roy wrote in his celebrated poem that Borobabu’s moustache made him what really Borobabu was; to my friend the city belonged to its shopping malls and that’s what the Desh was all about.. What else he needs to be impressed about the tremendous leap Calcutta is taking towards progress? He has no doubt in his mind that the country we have left behind is doing wonderfully well. Truthfully I was not that persuaded by his argument, it was only the shopping malls, I thought. What’s the big deal? Continue reading
Category Archives: Generic
Reality Music Contests on Indian TV Channels
The other day, while channel surfing, I stumbled upon the Zee-TV SaReGaMaPa “Bishwayudh” grand finals. I have not been following this show, but the community was buzzing with excited fans rooting for the three finalists – Anik, Raja and Amanat. Anik became the champion and being a Bengali it felt good that another Bengali kid has succeeded in keeping up the tradition of excelling in the performing arts. And I think that this partisan and regional feeling, in some sense, carries more weight in deciding who wins. It was impossible to qualitatively judge the three performers since they all were excellent singers. Hence, selecting the champion is nothing but a chance accident on who votes and for whom.
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YouTube Video Release of “Phera”
In December 2003, Ethnomedia launched their first theatrical production, “Phera” (The Return), at the Bengali Drama Festival organized by Kallol of New Jersey. The play was an instant hit amongst the expatriate Bengali theater lovers and since then the play was staged at multiple cities across the US east coast and Canada, including the 2004 North America Bengali Conference in Baltimore, Maryland.
The play deals with the eternal struggle which every immigrant in USA has to go through in order to balance between the strong attachment to their home land and the economic and social demands of life. The play has received rave reviews from the audience and the press. Read some of the comments and reviews at our website http://www.ethnomediallc.com/ .
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Ganakrishti: A Beacon for the Group Theater Movement in Kolkata
Ganakrishti, a leading theater group of Kolkata, has just completed twenty-five years of its journey that began in 1981 by a handful of theater enthusiasts. Over these years the group has grown both in size and stature to one of those very few organizations that can help guide the group theater movement in Kolkata through the troubled socio-economic waters. It was one of those groups who did not feel that producing plays is the only activity they should concentrate on. Continue reading
“Chak De” and Koni
After a long time, the Indian Cricket team has done something wonderful. They brought home the ICC 20/20 World Cup. Kudos to Dhoni and his team. Many people (including former Pakistan captain Rashid Latif) have attributed this success to the recent film, “Chak De India“. I have not seen the film yet, but the media has made me aware of the story line. Shah-Rukh Khan plays the coach of the Indian womens hockey team and leads them to World Cup victory. It is a story of courage, perseverance and overall team spirit. Continue reading
New Email Service
Due to the unreliability and restrictions imposed by my web hosting service, I am using a new email newsletter service provider (FeedBlitz). You will now receive an email (every week) with the list of recent postings on the blog site.
If you were in my earlier email list, you do not need to do anything. If you would like to contribute your articles, comments and thoughts, you need to register (click the register link on the right column).
As always, spread the word and let us all share our thoughts and experiences through this new medium.
Sanford Meisner: The Guru of Acting
What do Robert Duvall, John Voight, Sydney Pollack, Tony Randall, Gregory Peck, Jeff Goldblum, James Caan, and Tom Cruise have in common? They all trained under the master acting coach Sanford Meisner. Famous playwrights like Arthur Miller and David Mamet were also his students. His teaching technique, known as the Meisner Technique, is regarded as one of the most effective tool to master the art of acting. The goal of the Meisner technique has often been described as getting actors to “live truthfully under imaginary circumstances.” The technique emphasizes carrying out an action truthfully on stage and letting emotion and subtext build based on the truth of the action and on the other characters around them, rather than simply playing an action or emotion.
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Krittibas: A Poetry Magazine That Created History
A magazine devoted to poetry only is not what you can find on regular news stands or magazine stalls. The limited readership scares away the publishers from venturing into such an enterprise. They’d rather get into a safer business of publishing prose with some esoteric ones plugging in few poems in between. But Krittibas is an exception. Continue reading
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Satyameva in Kolkata
Finally, our team (Ethnomedia) concluded their four day run of “Satyameva” at the Sujata Sadan hall in Kolkata. It was an emotional roller coaster ride for me, but for Indranil and Sankar Ghoshal, it was both emotional as well as physical.
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Satyameva: A New Play to Premiere in Kolkata
“Satyameva Jayate” – a phrase from the Mundaka Upanishad is the national motto of India and all Indians. Literally it means, “truth alone prevails” – implying that truth is all that we should strive for, since truth only can lead us to success and happiness. But this hypothesis has been proven wrong time and again. Through bitter life experiences we all discover that “truth” hardly leads us anywhere – it is the “untruth”, the “false” and “deceit” that we need to master in order to attain our goals and objectives. Or is it that our goals and objectives need to be re-examined? Are we chasing the right goals? Goals for which we do not have to rely on the “false” – goals that can truly be achieved by truth alone?
“Satyameva”, a play written by Sudipta Bhawmik, tries to explore this age old question in a setting in North America where the immigrant Indian population tries to deal with this issue in their everyday lives.
Sanjoy, a young software professional, has arrived in the “land of opportunity” for just over six months and works for a software body shopping company “InterSoft” owned and operated by Bill (a Bengali American living in the States for over thirty years.) On the day of the play Bill fires Sanjoy and asks him to go back to India. Sanjoy, however, is not happy with this decision and refuses to oblige. He informs Bill that he is not going to return to India under any circumstances. He states that returning to India is synonymous to signing a death warrant. He cannot subject himself to such a grave risk. And to justify himself, and to win his ultimate motive, he has to make a choice between truth or deceit.
Cast:
Bill : Sankar Ghoshal
Sanjoy : Indranil Mukherjee
Written and Directed by Sudipta Bhawmik
Produced by Ethnomedia Center for Theater Arts (ECTA)
Presented by Ganakrishti, Kolkata
6.00pm August 20, 21, 22, 23 2007
Sujata Sadan, 7, Hazra Road, Kolkata – 700 026.
Phone- 2476-6131
Please inform your friends and family in India to come and watch this play that tells our story.