“Jadio Galpo”: Globalization in Bengali Theatre

Jodio GolpoTheatre Workshop, the leading theater company/group of Kolakata, will be premiering their new production “Jadio Galpo” at the Academy of Fine Arts theater in Kolkata at 3.00pm on Saturday February 7th. The play is written by yours truly and was earlier produced by our group ECTA in Kolkata and USA as “Satyameva”. The play has also been published in the Bohurupi theater magazine in 2008.

Theater Workshop, who under the leadership of Ashok Mukhopadhyay, is promoting the play as the first attempt in globalizing Bengali Theater. Globalization has affected Bengali theater from its early days with the contributions of Herasim Steppanovich Lebedeff and later with the numerous adaptations of western plays onto Bengali stage. But the play “Jadio Galpo” introduces globalization from a different perspective – it deals with the lives of the global Bengali. Bengalis are no longer limited within the geographic confines of the two Bengals, they have now spread themselves out all over the world. And, it is rare to see a play these days that talks about the lives of the Bengalis who live outside Bengal or Bangladesh. There has been some attempts in films (Bong Connection, The Namesake etc.) but Bengali theater has always kept themselves limited to their roots. In 2006, when our group staged “Ron” in Kolkata, it created quite a bit of stir. Ananda Lal, the theater reviewer of “The Telegraph” wrote in 2007 while writing about “Satyameva” – “The group from New Jersey who last year stunned Calcutta with their play Ron…”. And I believe that this effect was caused not by any production extravaganza, but due to the fact that possibly for the first time the Kolkata audience experienced a Bengali play that takes place in an American locale, a play that tells the stories of Bengalis in America.
“Jadio Galpo” also tells the stories of two generations of Bengalis in America – the veterans who struggled hard to reach their pinnacle of success, and the new comers or FOBs (Fresh Off the Boat) who with their H1-B visa are set to conquer the world by any means. But it also talks about hopes and dreams – dreams fulfilled and dreams shattered. The tales of the global Bengali also needs to be told – also needs to be listened too. Because it is only from a distance can one see one’s own world in a different light.

The upcoming show schedules are as follows:

Feb 7th, 3.00pm Academy of Fine Arts, Kolkata
Feb 13th, 6.30pm Girish Mancha, Kolkata
Other shows will be advertised in the local newspapers.

The play is directed by Ashok Mukhopadhyay who also acts in one of the lead roles. The other character is performed by Krishnagoti Chatterjee.

If you happen to be in Kolkata, I’d strongly encourage you to watch the play and give me your feedback.
Thank you.

Slumdog Millionaire: A Mumbai Two Crore Opera

When you watch Danny Boyle’s latest rags-to-riches fairy tale “Slumdog Millionaire”, you’ll experience an emotional roller-coaster ride that only Mumbai can offer. The city that never sleeps, the city that is in the center of the center of the world (as mentioned by Salim in the movie), a city that has an economic and social contrast ratio of 20,000,000:1, reveals itself on the screen as Danny Boyle and his screen writer Simon Beaufoy (based on the novel Q&A by Vikas Swarup) masterfully crafts the film using the television game show “Kaun Banega Crorepati?” or “Who wants to be a Millionaire?” as the spine of the story. Indian slum and street life has been explored by many international film makers like Mira Nair (Salaam Bombay) and Roland Joffe (City of Joy) amongst others, but Slumdog brings to life the dark as well as the bright side of the city of Mumbai in a style that is shocking and heart warming at the same time. Continue reading

Dhoop Chhaya : Yet Another Godfather Remake

Like me, if any of you watch ETV Bangla in your homes, you must be watching this new tele-serial “Dhoop Chhaya” or “Sun and Shade” the latest remake of “The Godfather”. Since Francis Ford Coppola made his classic mafia-gangster movie trilogy and created film making history, there has been several attempts to make films inspired by these great classics. Ram Gopal Verma made his Sarkar and Sarkar Raj adapted directly from the Coppola classics with the Bachchan father son duo – Amitabh and Abhishek. And now ETV Bangla is doing their share – “Dhoop Chhaya” a new tele-serial directed by Debangshu Sengupta and produced by Atanu Roy. The story revolves around the mafia family of Raghuram Pathak (Don) whose hot headed son Uday Pathak (Sonny) and the more refined Parashar Pathak (Michael) rule the Kolkata underworld. The opening episode looked so much like that of the opening sequence of Godfather (I) that I expected to see a shot by shot remake. The serial even has the family counsel Tom Hagen’s (Robert Duvall) character is played in this serial by Saswato Chatterjee. However, the serial has now taken its own twists and turns, and like most serials, the believability of these plot twists are questionable. But overall, the serial has the intensity to keep the viewers glued to the screen. The acting overall is at par and in some instances, quite good. Another positive aspect of this serial is the presence of some fresh new faces. It often becomes tiring to see the same faces in all serials. Sometimes it becomes difficult to figure out what serial is on – the same actors acting out similar characters in similar story lines. It seems the actors are not at all concerned about over exposure and how it can damage their career as well as the viewership of these serials. Kolkata never lacked in acting talent and we the viewers would like to see fresh talent on our screens. I hope the producers will take notice of this issue.

Urhalpool: A New Bengali/English Webzine

UrhalpoolA new Bengali/English webzine, Urhalpool, has been launched by the local New Jersey group Shrishti. The magazine is edited by Gautam Dutta and the first issue consists of contributions from some great writers like Sunil Ganguly, Taslima Nasreen, Sreejato, Subodh Sarkar, Maillika Sengupta, Alolika Mukherjee, Jyotirmoy Dutta and others. The issue also includes interviews of Bratya Basu, Suman Ghosh, Gautam Ghosh, Noam Chomsky and others. The cover is painted by the celebrated artist Paritosh Sen.
Urhalpool is indeed a commendable effort. But as with most magazine, be it print or online, the challenge is sustaining it for the long term. I hope the publishers of this magazine keep up their good work through perseverance and love for literature and art.

BSL : Bangla as a Second Language

I had often been requested to write plays for our children. With our kids in mind, few years ago I wrote a play titled BSL or Bangla as a Second Language. BSL is a hilarious short play for children (pre-teens, teens, young adults) of Bengali origin. Neil, Nick, Jay and Seema live in USA. But like all children of Bengali speaking parents, they are being forced to learn Bengali (or Bangla) against their will. Neil, the most innovative and smart kid he is, invents a device that can make one learn Bangla (or any other language) in seconds. Nick agrees to be the first guinea pig for the trials of this machine and the results are – quite unexpected to say the least. Continue reading

Another Successful Durga Puja by Kallol of NJ

Dhunuchi danceAfter three days of hectic scrambling, managing thousands of registrants, the blaring music from the entertainers and the long dinner lines, Kallol Pujo celebrations have finally come to an end. Although many skeptics were not sure about how the Pujo would fare out, especially when many people were not happy when Kallol had announced the closure of their registration due to full capacity, overall the people who attended were quite happy. The crowd was well managed and as far as I know, nobody was turned back due to their failure to register early. The new full sized idol of Maa Durga and her entourage was something that attracted many to stand for few extra minutes before the Goddess than before. The simple styling of the idol reminded many of us of our local Puja’s back home. The ample “adda” space all around was also utilized very well. The vendor stalls were quite crowded (except not many seemed to open up new accounts with BoA), especially the food vendor made a killing with $2.00 mini veg chops. The community dinner served in the tents was as predictable as ever, however the lines moved quite fast on all evenings. Continue reading

Cartoon of the week 7: Durga Puja Chaanda Collection Service

Chaanda collection service In several of my earlier blog articles, I wrote about our sensitivity to paying Durga Puja contributions (popularly known as Chaanda). The Puja organizers have tried to be innovative in extracting (no I never said extorting) the funds from the pockets of the attendees – they suggested (very strongly) donation amounts which partially resolved the problem but not the unpredictability. They have now resorted to early registration to ensure the committed funds (doesn’t matter if the contributors fail to attend due to weather or personal issues) and again they are successful to a great extent (Kallol has stopped early registration two weeks in advance and have declared “House Full”). Continue reading

Big B’s Blog


Amitabh BachchanBlogging by celebrities is a trend that has caught on for quite some time now. But in most cases the celebrities use the blog to market their latest products, films, music, whatever. Blogging regularly, in the midst of their busy schedule, is quite a challenge for any celebrity. Still some find the time to do it, besides the marketing aspect, just to be connected to their fans – sometimes even to show the people a different side of their personality which is never exposed through the medium they generally use. Continue reading

Cartoon of the Week 6: The Pujo Entertainment


Pujor AddaEntertainment events are the major attractions of any Durga Puja festival. The Puja organizers spend thousands of dollars to get the most popular artistes from India as well as from the local talent pool. It is the star entertainers that pull in the crowd, and crowd brings in revenue. The popularity ratings of the entertainers define the success of a Durga Puja.
But is it true? If the stars and their entertainment was the only reason to attend a Puja festival, then why do we have to listen to the constant rumbling noise of numerous “adda” sessions that continue in the background? As the audio levels of the performers rise, so does the noise level. To many attendees (myself included) the main attraction of attending a Puja is the opportunity to meet friends and engage in endless “addas”. We have no ill feeling towards the performers, they can continue to do their job as long as they don’t disturb our “addas”. After all, it is them who made us decide which Puja to attend – but they cannot deny us our birth right to be able to talk, talk and talk for hours on. We will occasionally listen to one or two songs to give our tired jaw bones some rest, but soon we’ll get back to argue about who was the best performer of the song, and how this “hopeless” artist has ruined the song completely. We’ll lament the dearth of talent in Bengal and how we miss the golden days of Kishore and Hemanta-da, how the new generation of band music is destroying Bangla music and why one should ban artistes like Sumon and Nachiketa.

ECTA Looking for Actors and Actresses


ECTA (Ethnomedia Center for Theater Arts) is looking for actors and actresses for their upcoming production to be staged in late November 2008. Previous acting experience is nice to have but not necessary. Love for theater and performing arts is a must.

If you are interested please attend the following casting call.

Play: Banaprastha – a play in Bengali by Sudipta Bhawmik
Directed by: Indranil Mukherjee

Date and Time: Friday Sept 5 at 7:30pm
Place: 28 McBride Way, Bridgewater, NJ 08807

To RSVP send email to indymukh@gmail.com or bhawmik@gmail.com